Windows App – Alien Skin Software Photo Pack Collection 05.2019 | NulledTeam UnderGround

Size of the file: 1.19 GB

Alien Skin Collection – a collection of plug-ins and image filters for Adobe Photoshop, Elements and Lightroom, which will be useful for both beginners and professional designers. You can easily and efficiently process or edit your images, edit photos by adding various effects. Kit includes: Exposure Kit X3, Eye Candy 7, Exposure X3, Blow Up 3, Snap Art 4.
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Exhibition X3

Exposure X3 is an advanced RAW photo editor and organizer that enhances every step of your editing workflow. Use it to quickly organize your images, edit your photos non-destructively, and apply beautiful looks and special effects.

Exposure Bundle X3
Exposure X3 Bundle is an editor and photo organizer that integrates all of Alien Skin's award-winning photo editing applications into one product. The centerpiece of this offering is Exposure X, the editing application that streamlines your workflow and provides rich creative tools. Two additional apps expand creative possibilities: Blow Up 3 expands your photos to larger prints with the sharper resize technology available, and Snap Art 4 turns your photos into beautiful hand-crafted paints.

Snap Art:
Expand your palette of creative tools with Snap Art. Turning your photographs into magnificent works of art has never been easier than with Snap Art 4. By analyzing the visual elements and techniques of artists over the centuries, we have designed Snap Art in order to produce images with a truly human aspect and not a computer.

Explode:
Net enlargements at any size. Blow Up keeps crystal clear photos during enlargement. Especially in the large prints hanging on the wall, the difference between Blow Up and Photoshop is staggering. Version 3 makes images even sharper without computer artifacts.

What's new included:
Alien skin explosion 3.1.3.222
Alien exposure to the skin X4 4.5.5.91
Alien Skin Exposure X4 4.5.5.88 Bundle
Alien Skin Eye Candy 7.2.3.37
Alien Skin Snap Art 4.1.3.216

Host Requirements:
– Adobe Photoshop CS6 or Adobe Photoshop CC 2015 or later
Adobe Lightroom 6 or Adobe Lightroom CC 2015 or newer

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Reverse engineering – What techniques and concepts did Jan Groover use in this photo?

enter the description of the image here

I found this picture today and it really pleased me. The analysis of this photo that I chose by Jan Groover interests me.

Some questions I ask myself are what techniques are used in the creation and composition of the photo. What ideas and concepts are involved?

It's a pretty different picture so I'm interested to see what you think about it.
Oranges certainly bring a little dynamism to the image.

edit: I read a little more and found a good site if you want to read about it (biography) http://www.artnet.com/artists/jan-groover/

Bad photo attributed to my name and my work

I wrote a novel and a film, as well as other works. When I search for my name on Google, the photo of someone else who shares a portion of my name is displayed in a window to the right of the search results. There, my work is attributed to the photo of this other person. How can I fix that?

free photo frame download software

Press the "Download Now" button to download photo editing software installer.
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3d – Is it possible to determine from a single photo of a cityscape if it was taken close up with a wide angle or far with a zoom?

Yes it is possible. I'm sure there will be an approach to doing this in a general way using the perspective geometry, but here is an example of doing it in a toy example case to show that this can be done. Imagine that you have something like this:

diagram of the positions of things

Here, the camera is at ground level on the left and there are two points of equal height, h, separated by s, the camera being at a distance D from the nearest, and everything is in line (ignore the problem ). that the nearest object will obscure the one that is furthest away: in real life, things will not be aligned like this and calculations will be more difficult).

You know what you're saying about the city, and you want to look at the photo: can you? Yes, here's how.

Imagine that the photo taken by the camera is projected on a screen at a distance d from it, so that the images of the two points are aligned to their real positions, as seen by the camera. By simple geometry, the heights on the image of the images of the two points are

  • h1 = hd / D (the closest)
  • h2 = hd / (D + s) (another)

So now, the things we know are s, h (of the geometry of the city), h1 and h2 (to measure the photo), and we do not know d (and do not care about it actually), and we I do not know D but be careful.

So now we can do a little bit of algebra:

h1 / h2 = hd (D + s) / (hdD) = (D + s) / D

So

D = s / (h1 / h2 – 1)

So, two things happened here, one will always happen and the other because I chose a toy example.

  • d is gone, and all that matters is the report of h1 and h2: this should be obvious because, of course, we can enlarge the photo to any size, so the only thing that can count is the relationship between the positions on the image.
  • h has disappeared. This only happens because I chose the two points at the same height: habit to arrive in general.

Finally, you can convince yourself that this expression of D is right: if h1 and h2 are identical, then D becomes infinite, and that is true, because you will not see both turns at the same height as if you are infinitely away from them. Similarly, if h1 / h2 becomes very large, then D becomes very small, and that is true: if you are very close to a tower, this will appear very big on the image.

Now, as I said, this is an example of a toy: in real life, nothing will be aligned, everything will be different. But if you have enough points on the image for which you know where the real points are, you can then know where the image was created (interesting question: how many points do you need?) I suspect that it will usually be 3, although it could be 4: I'm sure it's known though).

I'm sure there are books on mathematical calculation of perspective, and these will have general solutions that you can use: I recommend doing some research on this.


Remarks:

  • I have assumed that there was no distortion introduced by the optical system of the camera – in reality there will be some, but for most purposes, it should be small enough (do not try this with very wide angle or very wide angle lenses);
  • I did not think about what camera movements might do (common for old LF images) – or rather I to have thought & I have not made a definitive conclusion although I do not think it will matter.

Android Timestamp – Photo Stack Exchange

I sort my photos by date taken, which for all my JPEG is the EXIF ​​date. On my PC, I change the timestamp of the file so that it matches the EXIF ​​date if I have to do it – easy to do

But if you copy files to your Android phone, the operating system seems to change the timestamp of the file depending on the time at which it was copied. You can no longer sort the timestamp of the file because it does not match the EXIF ​​date.

How are you doing? How to preserve the timestamp of the file when copying to an Android phone from your PC?

photo critique – What techniques and concepts did Joachim Froese use in this black and white photograph of a moth?

Joachim Froese is a digital photographer. This would suggest that the triptych is actually a digitally split image of a single photo.
Borders are very similar in shape. If you look at the right and middle photos, the upper left and lower right corners are almost identical, suggesting a digitally added post-production border.
In short, Froese took a single image that he then cropped into a wide and split image, adding a border for each split photo.

The DOF is very narrow, maybe 2 cm tall. To do this, he most likely used a macro lens or bellow to allow him to get a large 1: 1 (or more) image of the subject, which would result in such a small depth of field.

The light source seems to come from the position of the camera. The photographer may have used a soft box to soften the shadows, but I do not know. It would be difficult to know if he was using other equipment, such as filters, without knowing the colors of the scene. Given how borders were added later, it would not be unlikely that Froese would digitally alter the photographs themselves.

sony – DRO, Photo Profile and Auto Mode – Why can not these settings coexist?

I am a novice in professional photography and I am still trying to understand some crucial things. I really hope you can help me.

I have a Sony A6500, I'm trying to switch from Auto to Manual settings, I'm testing image profiles and I'm discovering the DRO, but there are two things I can not understand.

1) Why can not I use the image profiles in automatic mode?

2) Why can not I use DRO when image profiles?

I've searched a lot for this, I found quite useful information on why PP does not affect RAW files, including:

"In automatic mode, the image profile is locked in. It is always there and applied to show you the preview."

If there is an image profile in automatic mode, why can not I change it or change the values?

These questions may be obvious to most of you, but that makes no sense to me.

canon dpp – Does Digital Photo Professional's "Display Management" color management parameter duplicate the effects of calibration?

In Canon Digital Photo Professional v4, a setting is set in Preferences | Color Management named "Color Matching Settings" with group of options "For Display". They are:

  • sRGB
  • Use the operating system settings
  • Monitor profile

Does selecting "Use operating system settings" mean that DPP will apply the color profile a second time over what Windows does?

Here is another way to think about the question.

  1. Take a high quality IPS monitor and plug it into a Windows 10 computer.
  2. Create a perfect ICM file from a color calibrator.
  3. Apply the ICM file using the Windows "Color Management" dialog box and confirm that all displayed colors change slightly after they are applied.
  4. Run Canon DPP with "Use selected operating system settings"
  5. Look at a picture.

Should all colors be false because the ICM file is applied twice (once by Windows and once by Canon)? Or are all the colors correct, because Windows does not affect the colors displayed by Canon DPP (unless the option "Use operating system settings" is selected)?

photo editing – What does the gamma histogram represent?

A proven method of image analysis involves measuring various locations (densities or intensities), and then using a grid paper, trace these measured points. Once completed, the plot looks like half a bell curve. We divide this curve into regions. The lower part is called the "toe". This graph shows graphically that the image slowly begins to form. Next is called the region of the straight line. This part of the graph graphically represents a response proportional to the exposed light. We can measure with a protractor the angle of the line. If the contrast of the image is weak, the angle of the straight line is reduced. If the image displays high contrast, the straight line indicates this fact; its angle will measure 45⁰ or more.
Historically, we convert this angle using tangent trigonometry (TAN). Most images with adequate contrast have a straight line with an angle of about 40 °. Tan of 40 = about 0.8. Traditionally, it is the target contrast for images displaying a respectable contrast. We are talking about the science of sensitometry – the manufacture of test exposures, and the science of densitometry – the measurement of photographic images. It is customary to name the TAN from the angle of the right "gamma".

The graph below relates to the film – digital images are a subset of the film when it comes to making decisions; we represent them as well.

35⁰ = gamma 0.7 = flat 45 = gamma 1.0 = contrast

enter the description of the image here