What’s so bad about a mirror lens?

There is nothing inherently bad about mirror lenses. Like everything in photography a mirror lens trades off one set of advantages and deficits for a different set of advantages and deficits. For example, most mirror lenses have a fixed aperture. This turns the exposure triangle into an exposure line between ISO and Shutter Speed. On the positive side, this simplifies the photographer’s decision making process by eliminating a variable. On the negative side, it reduces the photographer’s options for rendering a scene into an image.

Short History

Mirror lenses for 35mm SLR’s started appearing in the 1960’s. They were constructed to very high standards by reputable manufacturers. Over time,
mirror lenses have continually moved down market. New mirror lenses are now among the least expensive lenses in the market irrespective of focal length. They are often less expensive than the least expensive “kit zooms” bundled with entry level cameras. Like “kit zooms,” inexpensive mirror lenses meet a market demand for inexpensive lightweight compact lenses with useful focal lengths.

It wasn’t always this way and good mirror lenses are good lenses. Compare the long focus throw of Nikon’s 500mm f8 to that of a newly made Samyang/Rokkinon. Notice that the Nikon comes with a tripod collar while the new lens does not. Even if the optical quality of the Bower/Samyang/Rokkinon is good, it will be much harder to focus due to the short throw. The collar suggests using a tripod and using a tripod is likely to improve results. Bower/Samyang/Rokkinon lenses don’t make the suggestion.

Another example of a high quality mirror lens is the Vivitar “Solid Cat” designed by Perkins-Elmer for military use and sold to photographers in the civilian market.

Vivitar 600mm f8 "solid cat" lens

Challenges with long focal length lenses

Shooting long focal length lenses is can present challenges that may be at odds with a photographer’s expectations. Some of those challenges are independent of the lens design.

  • Irrespective of lens type, any long focal length lens will have a narrow field of view. Locating and framing distant objects requires more hand eye coordination relative to shorter focal length lenses. Consistently acquiring and tracking moving objects at long focal lengths requires practice.

  • Long focal length lenses tend to produce images with shallow depth of field. Even at f8 a long lens will tend to isolate its subject. The hyperfocal distance of a 500mm f/8 lens on a 1.5x crop factor camera is approximately 1 mile (1600 meters). Most people will be shooting objects much closer than that.

  • Long focal length lenses are often used to capture distant subjects. There is more atmosphere between the subject and camera. Water vapor and air movement are more likely to effect images.

These technical challenges affect the experience of the type of photographer most likely to purchase a new Bower/Samyang/Rokkinon mirror lens. Most people find a 500mm focal length lens a more enticing purchase than the mid-grade tripod and head that will improve its performance.

Technical challenges of mirror lenses

  • Manual focus is more challenging than autofocus. It is a skill that requires practice. The shallow depth of field images produced by long focal length lenses make precise focus important. The short focal throw of the currently available new mirror lens designs makes achieving critical focus a more exacting task.

  • No image stabilization in the lens implies efforts to mitigate the effects of camera shake should be considered. Because system cameras from Nikon/Canon rely on in lens shake reduction exclusively this is relevant to many many photographers. 2

  • The design of mirror lenses is based on a mirror located on the front lens element. This front mirror blocks light from entering the lens and this means that there is more variation between fstop and tstop than is common with a conventional dioptric lens. An f8 lens will be probably be around T10. So there is less light.

  • The mirror on the front element creates ring bokeh. This can make distracting backgrounds more distracting particularly for photographers who struggle with selecting good backgrounds for their shots.

Technical advantages of a mirror lens

  • The mirrors can be very thin. This means that it is often possible to use less glass than a conventional dioptric lens design. Using less glass allows the a long focal length mirror lens to be lighter than a conventional dioptric lens.

  • By reflecting light from front to back, mirrors allow for a compact design. Compact relatively light lenses are easier to carry and to hand hold.

  • Mirror lenses can achieve close focus without a significant increase in complexity. Minimum focusing distances of less than two meters are common allowing “macro like” photographs.

Shooting a Mirror Lens

Using a tripod in conjunction with a live view on the LCD, is a good way to create sharp images in low light. Zooming into the live view lets the photographer evaluate the focus precisely. The technique is a little like ground glass focusing of a large format view camera.

Black and White image of trucks

With in camera image stabilization a mirror lens can be a “walking around” lens. Because the angle of view is approximates human foveal vision, composition is surprisingly easy: the detail that catches the photographer’s eye is close to what the lens captures. The light caught my eye and all I needed to do was lift the camera and shoot from about 10m.

cable railing

The long focal length allows filling the frame while maintaining a significant working distance between the photographer and subject. This is useful when proximity might change the subjects behavior. The distance provides a flatter angle than a close up with a shorter lens.

a cat's face

Relatively close focus provides macro-like photographs from working distances significantly greater than are typical when shooting with traditional macro lenses. This makes it easier for the photographer to avoid “standing in their own light” and casting shadows on the subject.

a bee on yellow flowers

In general, a mirror lens offers and opportunity to show the world in a unique way. I had climbed half way up a narrow open fire tower to shoot a sunset. The compactness of the mirror lens meant it was on my camera and the camera was on a strap around my neck. I saw movement on the boat well over a kilometer away. It took a couple of seconds to focus and shoot.

boat on lake at sunset

The movement was pulling anchor. The shot is the person returning to their seat and ten seconds later the shot was gone.

Remarks

  • The boat shot defines the big reason to consider a mirror lens. I could not have climbed the tower with a conventional dioptric 500mm lens on my camera and my camera strapped around my neck. In the time it would take to unpack a conventional lens the shot would have been gone. The choice is not usually between a mirror lens and a conventional lens. It is between the opportunity to take shots that are not practical otherwise and no opportunity.

  • The bulk and size of a conventional dioptric 500mm lens means I might not have brought on the hike to the fire tower and the climb up it. Lightweight and compact, putting the mirror lens in my bag is not a particularly tough decision. It comes down mostly to weather.

  • For a mirrorless camera like the Sony A6000, older conventional dioptric lenses are alternatives to a new 300mm mirror lens. There are many very good 300mm manual focus lenses with an f4 aperture that can be mounted with an adapter for a price similar to that of a new mirror lens. They will most likely provide better optical quality at 300mm at the expense of size and weight.

  • The high Tstop of mirror lenses require more attention to the quality of light than might be required with other wider lenses. The constraints of mirror lenses reward the type of attention that translates to all other images. If nothing else, shooting a mirror lens will surface flaws in photographic technique, image planning, and the process of producing images. Some photographers may consider this a feature not a bug.


2: It is less of an issue for system camera with shake reduction in the camera body, such as Pentax, Olympus, and {sometimes} Sony. An overview of image stabilization current in 2017.

What’s the difference in editions of D&D? [duplicate]

I’ve played D&D before, I know there’s different editions, just what’s the difference? Like how is 5e different that 4e? I don’t really understand if there’s a difference. (I’m using 5e and 4e as examples)

What’s the limit for vertical space?

We are having a discussion with my colleagues about vertical spaces. We can’t agree and neither they nor I have good arguments.

Which is the best is the best version? (It is important to open them on desktop with 100% zoom)

Do you have any good resources about vertical spaces and especially is there a limit to white spaces?

authentication – What’s stronger: phone/text 2FA or authenticator app?

I noticed some very advanced sites don’t offer 2 factor authentication via phone/text. Example Salesforce’s Heroku:

enter image description here

Is phone/text based 2 Factor Authentication generally weaker than using an authenticator app? I’m trying to work out why a major site would not offer 2 Factor Authentication via phone/text, but offer other methods (authenticator app) instead?

terminology – Are Product Designers UX Designers who also do Product Management? If not, what’s the diff between the 3?

I’m having to work with Product Managers for the 1st time and we seem to be in a push pull of who does what and who has the final say on this or that. Someone argued that it’s bc I’m a UX Designer rather than a Product Designer. Every time I read an article about the diff between UX and Product design I don’t quite get the difference…

However, if Product Designers take the responsibility of a Product Manager as well, then I understand the difference. Conducting user research, ideation workshops, designing as well as being responsible for the backlog (I don’t mean contributing, I mean responsible for making sure all the ACs are there etc), writing release notes… Having to attend all those meetings with different areas of the business I honestly don’t know how one would have the time to design and do all that. Only in this case I’d say yeah, I’m quite happy with the title of UX Designer!

Mind you: I work on a very complex B2B SaaS product, not a shoe shop… I think that might influence the answers…

What’s the point in covering the viewfinder?

Recently, I found out that the rubber cover on the strap of my Canon EOS camera is used to cover the viewfinder. I searched on the web to learn why should I cover the viewfinder and I read that it prevents light passing through the viewfinder and somehow getting to the sensor.

  • Is this true?
  • If it is, how does light get to the sensor? Doesn’t the mirror prevent that?

api design – What’s the best way to collect custom data (email addresses) in Prosody?

I’m using Prosody as the engine for an XMPP-based game service and app I’m developing, and need a way for users to sign up for the service. While signing up, it would be nice to have a CAPTCHA or other spam-blocker and some way to collect valid email addresses.

I’m aware of mod_register_ibr (which implements the registration part of XEP-0077, but that only saves a username and password without allowing for custom properties. The way I see it, I have three options:

  1. Have a two-step registration process, where one first registers on Prosody using mod_register_ibr and then enters additional info through another XEP-0077 endpoint exposed by my gaming service. (This can be combined into one step on the frontend/client so it doesn’t seem cumbersome to the user).
  2. Have a non-XMPP way for people to register: for example through a webpage or REST API. This could run the appropriate prosodyctl commands on the server to register the user in Prosody, or manipulate the database directly if it’s possible and I figure out how.
  3. Write a custom Lua module which reimplements XEP-0077 but asking for additional info as well this time. (Caveat: I’d have to figure out how to incorporate this info in Prosody’s database or set up a custom database or table for that).

Which of these would you recommend, in terms of how neat/non-complex it is as well as how long it would take to implement? Or does anyone have any better suggestions?

PS: I think this is a more appropriate place to post this question than StackOverflow, but correct me if I’m wrong!

entities – What’s the difference between indexed and non-indexed field in Views and Search API?

I’m using Search API with a database backend and Views to build the search results page. More specifically, I’m using fields in Views. When selecting fields, I see two options for example:

  • Title
  • Title (indexed field)

When using this field, I get the same result. So I’m wondering why might I use the indexed version over the regular?

enter image description here

money – What’s the right answer to “Check, Savings or Credit” for an overseas card in Australia?

A few days ago, rather jetlagged, I was very stumped when the person serving me in a cafe at the airport asked “Cheque, Savings or Credit” when I handed over my (overseas / foreign card) to pay for a much-needed coffee. It actually took them asking several times for me to even work out what they were asking (jetlag + accents = fun!), and I’m still not sure what they pressed when I said “umm, mastercard?”, but it worked… Since then, I’ve found most card machines or staff asking me the same question when I’ve gone to pay.

As someone holding a non-Australian issued card, what’s the right response?

(I’d guess that I’d answer “Credit” for a Credit card, but that’d be good to confirm, then there’s also non-Australian Debit cards and pre-paid/pre-loaded cards to consider too!)

What’s the best way to load entities from a file?

Basically I am making my own Game Engine, and I’m wondering what’s the best way to load entities from a level file. (I have already made a basic ECS)